Warning: This article contains major spoilers forHouse of the Dragonseason 2, episode 4.
HBO‘sHouse of the Dragonhas taken its time getting to the real, fire-breathing drama at the center of its story. TheGame of Thronesprequel’s first season was largely a preamble — one that concluded with the shocking death of a character whose importance to the show’s ostensible lead, Rhaenyra Targaryen (Emma D’Arcy), was larger than it was to the audience. In the episodes since then,House of the Dragonhas similarly said goodbye — in sometimes horrifyingly brutal fashion — to several of its supporting characters. All the while, it’s done its best to make viewers feel the slow burn of a growing fire that has taken almost 14 full hours of television to explode.
House of the Dragonhas remained a consistently entertaining, often awe-inspiringly well-presented production throughout this time, but a slow-paced drama set mostly in the same two castles (i.e., the Red Keep of King’s Landing and Dragonstone) isn’t necessarily whatGame of Thronesfans signed up for when they originally tuned in. The series was sold as an explosive, dragon-versus-dragon prequel that would dramatize exactly howthe Targaryen dynastyburned down from within. Up to this point, it hasn’t been nearly as rip-roaring as that. It has instead been much more mannered and reserved, at least by its franchise’s standards, than many people might have predicted before its debut.
Fortunately, with this past Sunday’s episode,House of the Dragonhas finally become its most cutthroat and entertaining self.
A dance of dragons
The fourth episode ofHouse of the Dragonseason 2, titledThe Red Dragon and the Gold, ends with the show’s biggest and most important battle yet. The conflict, known amongFire & Bloodreaders as the Battle at Rook’s Rest, follows Ser Criston Cole (Fabien Frankel) as he andAemond Targaryen(Ewan Mitchell) execute an attack on the castle of one of Rhaenyra’s closest allies. In response, Rhaenys (Eve Best) volunteers to burn down Cole and his army with her dragon, Meleys. When she arrives at Rook’s Rest, however, she’s surprised to be met not only by Aemond and his fearsome dragon, Vhagar, but also King Aegon II (Tom Glynn-Carney), who arrives unannounced atop his mount, Sunfyre.
The battle ultimately claims the lives of both Rhaenys and Meleys, while Aegon and Sunfyre each suffer what seem to be, at the very least, fatal injuries from not only Meleys, but also Aemond, the latter of whom knowingly commands Vhagar to launch a deadly dragonfire attack on his brother. The episode concludes with Aegon’s fate up in the air (Fire & Bloodreaders know what’s to come with him) and one of Rhaenyra’s most powerful dragons and dragonriders dead.
It’s a sequence of astonishing scope and power, brilliantly directed by veteranGame of Thronesdirector Alan Taylor. It also marks the moment whenHouse of the Dragon‘s core conflict, a Targaryen civil war known as the Dance of the Dragons, at last feels as dangerous as it should.
A shocking death, and a new turning point
It seemed initially like that turning point had come in theHouse of the Dragonseason 1 finale, which ends with the death of Rhaenyra’s son, Luke (Elliot Grihault), at the hands of Aemond and Vhagar and a final shot of Rhaenyra as her heartbroken expression hardens into one of terrifying rage. The HBO series opted not to follow through on the ominous implications of that episode’s closing moments, though. By filling the first three installments ofits second seasonwith moments of filler, insignificant violence, and table-setting,House of the Dragoncost its central war the emotional weight and bloody edge that Luke’s death had provided it. The Battle at Rook’s Rest gives the show both of those elements again, and it does so in a far more immediately catastrophic, gut-punching manner than Luke and Aemond’s lethal quarrel.
Like many of the biggest deaths inGame of Thrones, Rhaenys’ demise and Aegon’s scorched downfall inHouse of the Dragonseason 2 have completely upended the landscape of the show. With one of Rhaenyra’s closest advisers now gone and Aegon, at the very least, incapable of sitting on the Iron Throne, those surrounding them will have to immediately adapt and update their plans. Characters like Aemond and Rhaenys’ husband, Corlys Velaryon (Steve Toussaint), have the chance to step even further into the spotlight now, while Rhaenyra and Alicent (Olivia Cooke) will need to find new paths forward for themselves and their allies.
We’ll have to wait to see how everyone within the series chooses to respond to the events of the Battle at Rook’s Rest, which has given theGame of Thronesprequel the barbed, ruthless sense of danger that it previously lacked. But no matter how it chooses to navigate the fallout ofThe Red Dragon and the Gold, it’s exciting to seeHouse of the Dragongrow into the show that it was supposed to be all along.
New episodes ofHouse of the Dragonseason 2 premiere Sunday nights on HBO and Max.
